Blank Check with Griffin & David

On St. Valentine's Day in 1900, a group of podcasters set out to record an episode about Peter Weir's Picnic At Hanging Rock. Some were never to return...because they got addicted to the calming sounds of pan flute! Filmmaker Jane Schoenbrun joins us to chat about this 1975 classic of Australian cinema, and we're getting into the eerie qualities that make this film such an enduring mystery. From Rachel Roberts' wig drama to frame rate manipulation...from the Aboriginal concept of "dream time" to the casting of actual private school girls...there's much to unpack. But don't worry, we also...

What time is it? It’s time to study the revolutionary texts with David “Rocketman” Sims! On our last episode before The Oscars, we’re talking about One Battle After Another, Paul Thomas Anderson’s epic about parental legacy, revolutionary identity, and a dad trying to charge his Goddamn phone. But first we reflect on the influx of last-minute Oscar narratives, before getting into One Battle After Another’s plot and politics, sidebar on Leonardo DiCaprio’s legacy at the Oscars, and finally give our official Critical Darlings Oscar Predictions for Sunday’s ceremony. Read more about Richard’s predictions at Pr...

Bonjour! Erm...we mean...G'day mates! Our Peter Weir series PODNIC AT HANGING CAST kicks off with Weir's 1974 feature debut The Cars That Ate Paris, a film about the guy who plays Napoleon in the Bill & Ted movies getting stranded in a quirky and murderous Australian town. We're getting into the origins of the Australian New Wave, the various "calling card" projects that Weir made in the beginning of his career, and this film's spiky car which Ben has a lot of affection for, obviously. Check out the Steve Martin Cold Open - Saturday Night Live <...

This week we’re joined by Sam Sanders of The Sam Sanders Show to discuss Sinners, the most nominated film in Academy Awards history. With sixteen nominations across directing, writing, music, and acting categories, Sinners is a somewhat surprising record breaker, as genre films, especially films with horror elements, are rarely awarded by The Academy.  On this episode we discuss the film, why it was able to break through, if Sinners counts as a genre film; and if so, what genre it represents. We also get into what effect the Warner Bros. Paramount merger might have...

Live from our windowless studio in Downtown Brooklyn, it's the 11th Annual Blankies! Joe Reid joins us once again to give out golden Wattos to our favorite films, performances, and craftspeople of the year. Some of our picks are certainly part of the greater award season conversation. Others are Materialists. Join us as we honor the best Putters and Murmurs, the Wettest flicks of the year, and as Griffin debuts his latest Billy Crystal opening showtune. Listen to This Had Oscar Buzz Watch Igby Goes Down Sign up for Check Book, the Blank...

This week we’re in hygge mode, uncovering traumas in our generational home with the host of This Had Oscar Buzz, Joe Reid! One of the breakout Oscar films of the year is Joachim Trier’s Sentimental Value, a warm, realist Norwegian film about a difficult but brilliant director (Stellan Skarsgard), his two daughters (Renate Reinsve and Inga Ibsdotter Lilleaas), and an American actress cast in the auteur’s new film (Elle Fanning). All four performances earned Oscar nominations, along with nominations for Best Picture, Best International Feature, Best Film Editing, and Best Original Screenplay. Sentimental Value also high...

Our Lynne Ramsay series comes to a close with last year's Die My Love, which brings us to the realization - damn, have we really never talked about Jennifer Lawrence before? Join us and Vulture's Alison Willmore as we do a full career deep-dive on J.Law, and grapple with this film and Mubi's decision to purchase it out of Cannes for a buttload of money. Read the NY Mag profile of Darren Aronofsky from 2017 Read Alison's work at Vulture Sign up for Check Book, the Blank Check newsletter featuring even more “real ne...

Viva Brazil! Today we discuss Best Picture nominee The Secret Agent, the simmering, colorful Brazilian thriller about a man on the run, starring the dreamy Wagner Moura and directed by Kleber Mendonça Filho. The story, about retaining personal and political memory under authoritarianism, has proven resonant with an international audience and awards bodies, garnering three additional Oscar nominations for Best International Feature, Best Casting, and Best Actor for Moura. On this episode, we discuss The Secret Agent itself, how it fits into and subverts the tropes of international films at the Oscars, the Eurovision-like process for international nominations, chec...

In 2018, Lynne Ramsay released You Were Never Really Here, a film about a completely implausible scenario...a townhouse on the East side of Manhattan houses a sex trafficking operation that implicates high-level government officials in its web of depravity???? Could you even imagine?!! Hollywood Handbook's Sean Clements joins us to chat about this eerily relevant film, the literary career of Jonathan Ames, Joaquin Phoenix's screen persona, and Joseph Gordon Levitt's recently announced follow-up to Don Jon. Listen to Hayes Davenport's (not a guest on this episode) episode of High & Mighty where he talks about newspaper comics. <...

This week we’re brooding, Victorian style, with Vulture’s Bilge Ebiri! Guillermo del Toro’s Frankenstein is a Best Picture nominee and is well represented in the craft categories, but it has only one acting nomination, for Jacob Elordi’s hulking monster. It’s of a piece with past craft-heavy Oscar contenders like Dune or The Lord of the Rings, but does Frankenstein actually stand a chance? We discuss the film itself, its lavish sets and costumes, del Toro’s choice to center the monster as the hero, and how that decision reshapes the monster’s opposite, Victor, played by Oscar Isaac...

The time has come for us to talk about Kevin. The New Yorker's Jia Tolentino joins us to talk about Lynne Ramsay's depiction of every parent's worst nightmare - 2011's We Need To Talk About Kevin. We need to talk about how Griffin grew up with Ezra Miller, and even auditioned against them to play Kevin. We need to talk about Lionel Shriver's awful politics. We need to talk about Tilda Swinton comparing her performance here to Buster Keaton. And we need to again explain the whole Fantastic Beasts franchise to another guest who is blissfully unaware of Credence...

Honey, we’re buzzing about Bugonia with Marie Bardi-Salinas! The movie surprised us with its appeal to Oscar voters, but maybe it shouldn’t have: Director Yorgos Lanthimos and star, frequent collaborator Emma Stone, have proven themselves Oscar favorites with strong showings from their past films, especially The Favourite and Poor Things.  We discuss the film, but first, a Sundance report from Richard before digging into Lanthimos and Stone’s history with the Oscars, and why this somewhat prickly, political movie succeeded with the Academy despite a relatively weak showing upon release. Then we discuss the...

Almost four years ago, Producer Ben Hosley watched Sam Raimi's "A Simple Plan" and proclaimed that if he'd been in that scenario, everything would have worked out perfectly. With the gleefully satisfying "Send Help," Raimi gives Ben the ending he's always wanted. Join Ben, Griffin, David, and Marie as they chat about the endless likability of Rachel McAdams, the heel turn of Dylan O'Brien, and how the various employees of Blank Check Productions would fare on a deserted island. Read "Dylan O’Brien Is Ready to Talk About That Accident" Sign up fo...

On today’s show, Richard and Alison hop on a boxcar and stare wistfully as the 20th century passes them by with Best Picture nominee Train Dreams. They discuss director Clint Bentley’s lush, if somewhat sanded-down take on Denis Johnson’s novella about a lumberman haunted by his past, starring a very quiet Joel Edgerton. Train Dreams is one of Netflix’s Best Picture nominees this year, but the film was not an original production. It was acquired by the streamer at last year’s Sundance Film Festival. On the occasion of this year’s festival (which is hap...

Mommy's back! Emily Yoshida joins the gang to talk about 2002's Morvern Callar, a surprisingly tender film about grief, starting over, and taking a Jet2 Holiday. We're chatting about Samantha Morton's unconventional star quality, our personal history with mixtapes, and the Fantastic Beasts franchise for some reason. Plus, Ben reveals his love of seaside snow, Griffin adds some context from the source material (or whatever he could translate from the Scottish dialect), and everyone agrees that Morvern did nothing wrong. Watch Shogun Season 1  Check out the official Shogun podcast Listen t...

It’s Hollywood’s biggest morning! Join Richard and Alison (plus a vacationing Producer Benjamin Frisch) as they pick apart the biggest snubs and surprises of the year: Sinners breaking the all-time nominations record! The Secret Agent surging out of Neon’s international power lineup! The complete collapse of would-be frontrunner Wicked: For Good! Plus we take a conversation detour with Apple’s F1, the surprise blockbuster pulling up the rear amongst the Best Picture lineup finds alongside Train Dreams, Frankenstein, Marty Supreme, Bugonia, Sentimental Value, Hamnet, and One Battle After Another in the Best Picture category despite being a popcorn racecar mov...

We need to pod about Glasgow. We need to pod about the arresting inner lives of these complicated protagonists. We need to pod about every incredible project Lynne Ramsay has been attached to over the past 25 years that never actually happened. So yeah, WE NEED TO POD ABOUT CASTVIN! Join us as we discuss Ramsay’s debut film Ratcatcher, a striking study of a young boy on the precipice of adolescence in the slums of 1970s Glasgow. Ben discovers that he adores this movie. Griffin discovers that he can make “Lin Manuel Ramsey” a bit. And everyone discovers that Scotti...

This week, we’re joined by David Sims as we orbit the Golden Globes and their Best Drama winner, Chloé Zhao’s Hamnet. In the vibes-based reality of awards season predictions, Hamnet has emerged as a potential spoiler to the season’s other favorites, including Paul Thomas Anderson’s One Battle After Another and Ryan Coogler’s Sinners. But what, exactly, makes something an Oscar villain? We also get into the film itself, the historical Shakespeare, why people are weird about Chloé Zhao, and our predictions for next week's Oscar nominations. Subscribe to Richard's newsletter, Premiere Party, and read Alison's work at...

Join Pulp Men (and Woman) of the Year Griffin, David, Ben, and Marie as they discuss Park Chan Wook’s latest offering, the silly and sublime No Other Choice. We’re talking about paper, AI-proof jobs, the handsomeness of Lee Byung-hun, the possibility that Director Park is the Michael Jordan of dissolves, and the fact that this is likely Griffin’s favorite film of 2025. Plus, David breaks down over the finale of Stranger Things, and we all apologize for a bunch of stuff. Read the Chevy Chase New York Times profile. Sign up for Check Book...

This week, we’re only slightly hung over from last night’s New York Film Critics Circle Awards! Griffin Newman joins the pod to discuss the event, where, among dry-run Oscar speeches from Amy Madigan, Rose Byrne, and Wagner Moura, we saw Ethan Hawke fall into a fountain beneath a towering Buddhist deity. Then we turn to the precursor circuit, where Marty Supreme’s momentum has cemented Timothée Chalamet as a frontrunner for Best Actor. We get into how he’s played the campaign circuit so far, and why Timmy and Marty are well posit...