Deep Focus

Improvisation is considered a high art form for an instrumentalist, but what about for a composer?  Is it even possible to create a piece of music for an ensemble, and to hear it performed in real time?  How would you go about that? You would have to have an entire group imagining together.  Lawrence "Butch" Morris did it by creating a compositional language that allowed him to convey musical ideas using physical gestures.     His system, which he called "Conduction," was immediately transformative.  He created compositions in real time that were shaped by the musical language and the performances of the partici...

Improvisation is considered a high art form for an instrumentalist, but what about for a composer?  Is it even possible to create a piece of music for an ensemble, and to hear it performed in real time?  How would you go about that? You would have to have an entire group imagining together.  Lawrence "Butch" Morris did it by creating a compositional language that allowed him to convey musical ideas using physical gestures.     His system, which he called "Conduction," was immediately transformative.  He created compositions in real time that were shaped by the musical language and the performances of the partici...

Improvisation is considered a high art form for an instrumentalist, but what about for a composer?  Is it even possible to create a piece of music for an ensemble, and to hear it performed in real time?  How would you go about that? You would have to have an entire group imagining together.  Lawrence "Butch" Morris did it by creating a compositional language that allowed him to convey musical ideas using physical gestures.     His system, which he called "Conduction," was immediately transformative.  He created compositions in real time that were shaped by the musical language and the performances of the partici...

Improvisation is considered a high art form for an instrumentalist, but what about for a composer?  Is it even possible to create a piece of music for an ensemble, and to hear it performed in real time?  How would you go about that? You would have to have an entire group imagining together.  Lawrence "Butch" Morris did it by creating a compositional language that allowed him to convey musical ideas using physical gestures.     His system, which he called "Conduction," was immediately transformative.  He created compositions in real time that were shaped by the musical language and the performances of the partici...

Meet me at Edge City.  Isn't that place where worlds collide the only one where new ideas are ever generated?  Saxophonist Jim Pepper knew all about these cultural collisions. His band Free Spirits was arguably the first to combine rock and jazz elements, and his oft-covered song Witchitai-To is perhaps the only hit to feature an authentic Native American chant in the history of the Billboard pop charts (we sure can't think of another one; can you?).  Yes, this man changed the world, at least twice!   This spirit of discovery and of sharing culture is what this episode of Deep Focu...

Meet me at Edge City.  Isn't that place where worlds collide the only one where new ideas are ever generated?  Saxophonist Jim Pepper knew all about these cultural collisions. His band Free Spirits was arguably the first to combine rock and jazz elements, and his oft-covered song Witchitai-To is perhaps the only hit to feature an authentic Native American chant in the history of the Billboard pop charts (we sure can't think of another one; can you?).  Yes, this man changed the world, at least twice!   This spirit of discovery and of sharing culture is what this episode of Deep Focu...

Meet me at Edge City.  Isn't that place where worlds collide the only one where new ideas are ever generated?  Saxophonist Jim Pepper knew all about these cultural collisions. His band Free Spirits was arguably the first to combine rock and jazz elements, and his oft-covered song Witchitai-To is perhaps the only hit to feature an authentic Native American chant in the history of the Billboard pop charts (we sure can't think of another one; can you?).  Yes, this man changed the world, at least twice!   This spirit of discovery and of sharing culture is what this episode of Deep Focu...

Plate tectonics, this idea that the very surface of the earth is not an unyielding solid, but a set of independent segments in a constant state of flow, was not always accepted as truth.  It was only developed in 1967, but once geophysicists saw how accurately it described familiar phenomena, there was no going back.     At the exact same time, Jack DeJohnette was emerging as a new force on drums.  His percussive vigor and complexity were profoundly unsettling to those who relied on the familiar swing beats of the music of previous decades.  But it was a new time; there were new is...

Plate tectonics, this idea that the very surface of the earth is not an unyielding solid, but a set of independent segments in a constant state of flow, was not always accepted as truth.  It was only developed in 1967, but once geophysicists saw how accurately it described familiar phenomena, there was no going back.     At the exact same time, Jack DeJohnette was emerging as a new force on drums.  His percussive vigor and complexity were profoundly unsettling to those who relied on the familiar swing beats of the music of previous decades.  But it was a new time; there were new is...

Plate tectonics, this idea that the very surface of the earth is not an unyielding solid, but a set of independent segments in a constant state of flow, was not always accepted as truth.  It was only developed in 1967, but once geophysicists saw how accurately it described familiar phenomena, there was no going back.     At the exact same time, Jack DeJohnette was emerging as a new force on drums.  His percussive vigor and complexity were profoundly unsettling to those who relied on the familiar swing beats of the music of previous decades.  But it was a new time; there were new is...

Listen to Henry Threadgill's music.  What a phantasmagoria of splendors and esoterica must animate his mind!  Don't you just want to go to that place?  Maybe for a night out on the town?  Or a picnic in The Secret Garden?  Aren't you curious about where his inspiration comes from?  You could read his autobiography, Easily Slip Into Another World: A Life in Music (in fact, we recommend you do), but why don't you spend some time with Henry, listening to music that he loves?     This Monday (11/24), for Mitch Goldman's Deep Focus, Henry Threadgill has chosen the music of Ahmad Jamal.  Can Mitch fin...

Listen to Henry Threadgill's music.  What a phantasmagoria of splendors and esoterica must animate his mind!  Don't you just want to go to that place?  Maybe for a night out on the town?  Or a picnic in The Secret Garden?  Aren't you curious about where his inspiration comes from?  You could read his autobiography, Easily Slip Into Another World: A Life in Music (in fact, we recommend you do), but why don't you spend some time with Henry, listening to music that he loves?     This Monday (11/24), for Mitch Goldman's Deep Focus, Henry Threadgill has chosen the music of Ahmad Jamal.  Can Mitch fin...

Listen to Henry Threadgill's music.  What a phantasmagoria of splendors and esoterica must animate his mind!  Don't you just want to go to that place?  Maybe for a night out on the town?  Or a picnic in The Secret Garden?  Aren't you curious about where his inspiration comes from?  You could read his autobiography, Easily Slip Into Another World: A Life in Music (in fact, we recommend you do), but why don't you spend some time with Henry, listening to music that he loves?     This Monday (11/24), for Mitch Goldman's Deep Focus, Henry Threadgill has chosen the music of Ahmad Jamal.  Can Mitch fin...

Breaking new ground requires a willingness to plunge into the unknown.  You don't know what terrors and wonders you might find there.  The risks are concealed until it's too late to turn back.  That's one thing when it's your pursuit.  What about when it's someone else's vision, and you need to lead them through it?  What do you do?  Just dive into the Vast Empty?  Yes, you do if you're trombonist Craig Harris!  He has been doing exactly that with reedman David Murray for nearly 50 years.  The two of them have brought listeners through more outlands than AI ever will.     Craig Harris joi...

Breaking new ground requires a willingness to plunge into the unknown.  You don't know what terrors and wonders you might find there.  The risks are concealed until it's too late to turn back.  That's one thing when it's your pursuit.  What about when it's someone else's vision, and you need to lead them through it?  What do you do?  Just dive into the Vast Empty?  Yes, you do if you're trombonist Craig Harris!  He has been doing exactly that with reedman David Murray for nearly 50 years.  The two of them have brought listeners through more outlands than AI ever will.     Craig Harris joi...

Breaking new ground requires a willingness to plunge into the unknown.  You don't know what terrors and wonders you might find there.  The risks are concealed until it's too late to turn back.  That's one thing when it's your pursuit.  What about when it's someone else's vision, and you need to lead them through it?  What do you do?  Just dive into the Vast Empty?  Yes, you do if you're trombonist Craig Harris!  He has been doing exactly that with reedman David Murray for nearly 50 years.  The two of them have brought listeners through more outlands than AI ever will.     Craig Harris joi...

If you want to change the game, first you need to master the game.  Coming up in Newark in the fifties was the exact right place and time for Larry Young to learn the idiom of the Hammond B-3 organ, and he learned his lessons well.  His early records embody the soul-jazz organ trio sound made popular by Jimmy Smith.   But as the sound of the sixties emerged, Larry Young (also known by his Muslim name, Khalid Yasin Abdul Aziz) was reaching for something more.  His journey, including hours of conversation and jam sessions with spiritual avatar John Coltrane, brought ab...

If you want to change the game, first you need to master the game.  Coming up in Newark in the fifties was the exact right place and time for Larry Young to learn the idiom of the Hammond B-3 organ, and he learned his lessons well.  His early records embody the soul-jazz organ trio sound made popular by Jimmy Smith.   But as the sound of the sixties emerged, Larry Young (also known by his Muslim name, Khalid Yasin Abdul Aziz) was reaching for something more.  His journey, including hours of conversation and jam sessions with spiritual avatar John Coltrane, brought ab...

If you want to change the game, first you need to master the game.  Coming up in Newark in the fifties was the exact right place and time for Larry Young to learn the idiom of the Hammond B-3 organ, and he learned his lessons well.  His early records embody the soul-jazz organ trio sound made popular by Jimmy Smith.   But as the sound of the sixties emerged, Larry Young (also known by his Muslim name, Khalid Yasin Abdul Aziz) was reaching for something more.  His journey, including hours of conversation and jam sessions with spiritual avatar John Coltrane, brought ab...

What is the great lesson of a James Blood Ulmer for fellow guitarist/composer/bandleader Vernon Reid?  Find out this Monday (9/29) when Vernon Reid and host Mitch Goldman plunge into the WKCR archives in search of rare, live recordings.  Some of them might even feature Vernon's early spirit guide and Blood's fellow Prime Timer, Ronald Shannon Jackson.     Now, for those of you who can't stand the suspense of waiting for Monday, here's one possible answer to that question: there is no "A" James Blood Ulmer.  There is only "THE" James Blood Ulmer.  He is and always will be in a class o...