Censorship and Australia’s Venice Biennale pavilion, a controversial AI auction, and Elizabeth Catlett in Washington

It seems absurd that more than a year ahead of the next Venice Biennale, one of the major pavilions in the Giardini might be empty for next year’s event. But that is the dilemma facing Creative Australia, which is responsible for that country’s Biennale presentation. Last month, it announced the team comprising the Lebanese-born Sydney-based artist Khaled Sabsabi and the curator Michael Dagostino as its selection for the 2026 event—and then, within days, rescinded the invitation. An almighty row has engulfed the Australian art world to the extent that the pavilion has been thrown into doubt. So what h...